Showing posts with label alumni award. Show all posts
Showing posts with label alumni award. Show all posts

Wednesday, March 21, 2018

2018 Hartt Alumni Award - Shane Shanahan

The Hartt School's Alumni Award Committee has selected Shane Shanahan as the 2018 award recipient.  Shane will receive the award at this year's commencement ceremony for Hartt undergraduates.  Congratulations, Shane! 






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Grammy Award winning percussionist Shane Shanahan has cultivated his own unique and highly sought after sound by combining his studies of drumming traditions from around the world with his background in jazz, rock and Western art music.   His interest in other cultures has lead to extended visits to Turkey, India, and Tajikistan, among others.  Shane’s rare set of diverse skills is what attracted Yo-Yo Ma when he was forming the Silk Road Ensemble.  In the summer of 2000, Shane was invited to Tanglewood where he played an important role in the formation of the group.  Ever since, he has been touring around the globe performing side-by-side with Mr. Ma as an original member of the award-winning Silk Road Ensemble.  Shane's playing can be heard on all four of the ensemble's top-selling recordings for the Sony/BMG label.  The most recent was nominated for a Grammy and two of them feature his arranging skills. These arrangements have brought ecstatic audience to their feet in the top concert halls of North America, Europe and Asia. Shane can also be seen and heard on Mr. Ma's CD/DVD release "Songs of Joy."


He is also a member of frame drum master Glen Velez' TaKaDiMi Ensemble and cellist Maya Beiser's Provenance Project.  He has performed and/or recorded with Bobby McFerrin, Aretha Frankin, Philip Glass, Alison Krause, Sonny Fortune, Deep Purple, Jordi Savall, Fantasia, Chaka Khan, G. E. Smith, Simon Shaheen, Jamey Haddad, Cyro Baptista, Anindo Chaterjee, Sandeep Das, Shahram Nazeri, Alim Qasimov, Kayhan Kalhor, Howard Levy and Steve Gorn, among others.





During the 2009-2010 season, Shane co-curated a 40 week concert series at The Museum of Natural History for the Traveling the Silk Road Exhibit.  He was also highly involved in The Bridge Project, a three-year trans-Atlantic partnership uniting The Brooklyn Academy of Music, The Old Vic Theatre of London, and Neal Street Productions.  Shane was one of two featured musician in Shakespeare's "As You Like It" and "The Tempest," directed by Oscar winner Sam Mendes ("American Beauty"/"Skyfall.")  After two months of performances in New York, the production commenced an extensive tour of Asia and Europe.  On Broadway, Shane has played for Caroline, Or Change, The Color Purple, Shrek, and Spider-Man, Turn Off the Dark.

Sunday, February 19, 2017

2017 Alumni Award - Martha Summa



Martha Summa ('83) has been selected to receive the 2017 Hartt Alumni Award. Dr. Summa's career combines her passions for performance, education and music therapy. This honor will be awarded to Martha at the 2017 Commencement exercises in May.  Congratulations to Martha!


For additional information on Martha, see her website.  http://marthasumma.com/index.html
Here is a Ted Talk that Martha gave.  https://www.youtube.com/watch?v=wCM4JPmPJcI

Sunday, May 15, 2016

2016 Alumni Award Presented to Jimmy Greene

Hartt alumnus, Jimmy Greene, was presented with the 2016 Alumni Award today at Commencement.  Jimmy is pictured here with Interim Dean Clark Saunders.



Below is Jimmy, along with fellow Hartt alumni Dave McLellan and Marcos Carreras, both of whom are currently serving on the Hartt Board of Trustees.



Thursday, September 24, 2015

Update to Hartt Alumni

Here is the September 2015 email update sent from the Hartt Board of Trustees' Alumni Committee to all alumni for who the University of Hartford has an email address.

Can't view this email properly? Click here for the online version.
University of Hartford's Hartt School
Dear Fellow Hartt Alumni,
I hope you have been well since last summer’s email sent to all Hartt alumni about the exciting things that were happening at Hartt and preview for the 2014–15 year. Now, I wanted to reach out, once again, on behalf of the Hartt Board of Trustees’ Alumni Committee to highlight some of the exciting things that happened at Hartt during the past year and to preview some upcoming events. Hartt, and the University of Hartford as a whole, have made a real commitment to improving alumni engagement. Everyone at Hartt wants you to feel a continuing connection to the school and this update is one way we are doing that. We hope that you will consider coming to a performance, reaching out individually to a former professor, attending an alumni event, or finding another way to remain involved. For now, let’s talk about our alma mater. 
THEATRE DIVISION presented the rarely performed musical On Your Toes and is preparing for Nicholas Nickleby.
In 1936, the musical On Your Toes, written by Rodgers and Hart, opened on Broadway.  Prior to Hartt’s production, On Your Toes had never been performed north of New York City. The show, which requires both a full ballet company and a music theater company, is a massive undertaking. Hartt’s production was directed by Alan Rust, director of the Theatre Division, and choreographed by Ralph Perkins and Stephen Pier. A full orchestra, conducted by Edward Cumming, skillfully added an important component to the grand show, which includes the jazz ballet "Slaughter on Tenth Avenue."



This coming year, the Theatre Division will present another rare production. Charles Dickens’s Nickolas Nickleby will be performed in two parts on consecutive nights and both parts combined during weekend days in November.

The Hartt School Theatre Division Presents
The Life and Adventures of Nicholas Nickelby
Presented in Two Parts
Tuesday–Sunday
Nov. 3–8, 2015
Part I:
Tuesday and Thursday, 7:30 p.m.
Saturday and Sunday, 3 p.m.
Part II:
Wednesday, Friday, Saturday, and Sunday, 7:30 p.m.
Dickens’s England Evening Package
Saturday or Sunday
Parts I and II with a traditional Dickensian
dinner between shows, hosted at the
University of Hartford’s 1877 Club.

Tickets are available by
visiting hartford.edu/tickets
or calling 860.768.4228.
Hartt Alumni Award—2015 Recipient and a Call for 2016 Nominations

Boykin speaks on Lincoln stage in May.
Phillip Boykin ’95 was the 2015 Alumni Award recipient. Boykin was presented this honor at the Hartt Commencement in May. At commencement, Boykin spoke passionately to the graduating students and assembled guests sharing both the struggles he has experienced and his triumphs. He was a featured performer in the recent Broadway production of On The Town, Boykin has had an amazing career since graduating Hartt. Visit his webpage.
If you know of a Hartt alumnus or alumna worthy of consideration for the Hartt Alumni Award, please nominate him or her.
Hartt Welcomes a New Class as the Tradition of
Opening Convocation Continues!

Sunday, May 17, 2015

Hartt 2015 Alumni Award and Commencement

The Hartt School 2015 Commencement was held today and 1995 alumnus Phillip Boykin was awarded the Alumni Award.



I was honored to address the graduating class and congratulate them on behalf of the Hartt Board of Trustees.  I told the students that I was particularly pleased to be sharing a stage, once again, with Phillip Boykin.  Moshe Paranov used to take Phillip and me out for performances in area elementary school cafeterias and gymnasiums.  Uncle Moshe was a passionate believer that all students deserved a proper music education rooted in the classics.  Hence, his oft-heard concern that "Kids today don't know the difference between Beethoven and a him sandwich!" 


I have since retired from my performing career but Phillip has gone on to great international acclaim and is currently featured in the Broadway revival of On The Town.  He is a worthy recipient of the 2015 Alumni Award.

Congratulations, Phillip!  Uncle Moshe would be pleased.






Saturday, February 22, 2014

Ed Alton - 2014 Hartt Alumni Award Recipient

Bachelor of Music,
Double Bass/Composition '81

Hartt Alumni Award 2014

 The Hartt School is pleased to announce that Ed Alton, BMus ’81 will be honored with the 2014 Hartt Alumni Award at the annual Commencement ceremony on Sunday, May 18, 2014. The award honors an alumnus who has achieved professional and critical recognition of distinguished professional accomplishments as an artist, scholar, or educator in an area of the performing arts.

Mr. Alton has sustained an impressive career in the Los Angeles TV, film and recording industries for nearly thirty years. To date, he has composed scores for over 530 episodes of 31 different prime time network TV series and performed as bassist on over 70 feature film soundtracks. His career has been distinguished by numerous accolades including five ASCAP Top TV Composer Awards, an Emmy Nomination, and several Gold & Platinum record awards.

Tuesday, August 20, 2013

Hartt Alumni Award Nominations Sought

University of Hartford's The Hartt School

Since 1959, the University of Hartford's The Hartt School has recognized an outstanding alumnus/alumna with the Hartt Alumni Award. A committee will be meeting this fall to select a recipient for the 2014 award, which will be presented at the Hartt Commencement in May 2014. In making its annual selection, the committee strives to achieve a diverse list of candidates based on nominations representing the various curricular programs of The Hartt School.

Qualifying criteria for the award are:
  1. Distinguished professional accomplishments of a Hartt alumnus/alumna in an area of the performing arts as an artist, scholar, or educator.
  2. Professional and critical recognition of these accomplishments.
The committee welcomes the nomination of qualified Hartt alumni for the 2014 Hartt Alumni Award. Submitted nominations are to include:
  1. Name of nominee
  2. Hartt biographical information
  3. Professional accomplishments
  4. Professional and critical recognition
  5. Justification for the nomination
The committee requests that all nominations be submitted using the online nomination form by Tuesday, October 1, 2013.

For more information, please contact Philip Grover, executive assistant to the dean, at pgrover@hartford.edu or 860.768.4468.

Learn more about the Hartt Alumni Award, the Hartt Alumni Award Committee, and past recipients here.

Thank you,
The Hartt School Alumni Award Committee

Monday, July 1, 2013

5 Questions with Peter Boyer



Peter Boyer (M.M. 1993, D.M.A. 1995, Alumnus of the Year 2002) studied composition and conducting at Hartt from 1991 to 1995. He is currently living in the Los Angeles area.
 
What have you been up to since you graduated from Hartt?

That’s a big question. Many things! My career has been divided roughly into three areas.

First and foremost, I’ve been an orchestral composer for the concert hall, and very active in that arena. I’ve been fortunate to have over 300 performances of my works by more than 100 orchestras; several recordings on labels such as Naxos, Koch, Albany, BSO Classics, and FWSO Live; and hundreds of radio broadcasts of my music in many countries. I’ve had a pretty steady stream of orchestral commissions, starting shortly after my student days, and continuing to the present. Recent commissions have included a work for the 50th anniversary of the Eastern Music Festival from Gerard Schwarz; my Symphony No. 1 from the Pasadena Symphony; and the Boston Pops 125th anniversary commission, celebrating the legacy of the Kennedy Brothers. Keith Lockhart chose me for this project, which was narrated by actors including Robert De Niro, Morgan Freeman, Ed Harris, and Alec Baldwin, and was recorded and televised, including on the Fourth of July for 750,000 people! My most popular work to date has been Ellis Island: The Dream of America, the premiere of which I conducted with the Hartford Symphony in 2002; it’s had nearly 150 performances, and was nominated for a Grammy Award.

The second area of my career has been as an orchestrator for films and television. I’ve contributed orchestrations to more than 20 feature film scores, by some of the top Hollywood composers, including Thomas Newman, James Horner, Michael Giacchino, Alan Menken, Mark Isham, and others, for most of the major film studios. Films I’ve worked on have included Skyfall, The Amazing Spider-Man, Star Trek, Up, Mission: Impossible III, Super 8, Cars 2, and Dolphin Tale. I’ve also arranged music for the Academy Awards on a couple occasions, and have composed music for The History Channel.

The third area of my career has been teaching. I’ve been on the faculty at Claremont Graduate University, part of the Claremont Colleges (located east of Los Angeles), since 1996. I hold the Helen M. Smith Chair in Music and the rank of Full Professor there. I should also mention conducting, though that’s largely taken a back seat to my other work in recent years. I’ve conducted various orchestras, mostly in my own music, including the Brooklyn Philharmonic, Rhode Island Philharmonic, Pasadena Symphony, and Richmond Symphony in concert; and the London Symphony Orchestra, Philharmonia Orchestra, and various studio orchestras in recording sessions.

What is your current project?

I just returned from London, where I conducted the London Philharmonic Orchestra in recording sessions at Abbey Road Studios. We recorded five of my works for an upcoming release by Naxos in its American Classics series. The centerpiece of the recording was my Symphony No. 1, a 24-minute, 3-movement work dedicated to the memory of Leonard Bernstein, and premiered just recently. We also recorded my works Festivities, Silver Fanfare, Celebration Overture, and Three Olympians. The LPO are one of the world’s greatest orchestras, and I had been hoping to work with them ever since I heard them in Howard Shore’s Oscar-winning scores for the Lord of the Rings trilogy. The LPO and I recorded nearly an hour of my music in three sessions over a single day and evening—quite a feat, and quite a thrill! I’m really looking forward to the Naxos release in early 2014.

Who were your most important teachers during your time at Hartt, and why?

My two principal teachers at Hartt were Larry Alan Smith and Harold Farberman. I studied with them both for three years, from 1992-1995. Larry was my primary composition teacher, and Harold was my primary conducting teacher. As I was focused on both composition and conducting, it was very valuable for me that both of them were highly skilled and trained both as composers and conductors. Their personalities and approaches were quite different, and I benefited greatly from their different experiences and wisdom. I also studied with Harold during the summers of 1992-95 at the Conductors Institute (which was then at Hartt).

I should also mention some other instructors whose teaching was valuable to me in different ways: Robert Carl was my composition teacher there in my first year; I had James Sellars for 20th-century music; Steve Gryc for orchestration; Anthony Rauche for counterpoint and other subjects; and Kenneth Nott and Charles Turner for music history. They were all highly committed teachers. I learned a great deal from all of them, and look back on all of these courses with great affection. (I still have all of my class notes!)

What were some of the most valuable lessons you learned during your time at Hartt?

My four years at Hartt were a time of incredible growth for me. I had done my undergraduate work at a relatively small state college music department (Rhode Island College), which was a very fine department, but limited in its resources compared to a full-fledged conservatory like Hartt. Being surrounded by so many excellent professional musicians on Hartt’s faculty was eye-opening for me in many ways. Besides my primary work on acquiring techniques and skills as a composer and conductor, probably the most important thing for me was immersion in a huge variety of musical repertoire. My classes exposed me to so much repertoire from so many different composers, and I spent countless hours in the library exploring unfamiliar music. This practice of constantly attempting to broaden one’s horizons was invaluable then, and still is now.

What is next for you?

The most significant upcoming career milestone for me will be the Naxos release of my recording with the London Philharmonic in early 2014. I’ll be on sabbatical leave from my teaching gig for the 2013-14 year, so I’ll be focusing completely on my freelance musical work. It looks like there will be some exciting film orchestration gigs in the near future, but since they’ve not yet begun, I can’t discuss them “on the record” yet. Please stay tuned.

How can your fellow Hartt alumni get in touch with you?

My website is www.PropulsiveMusic.com, and on Facebook, I have both a personal page and a “fan page” for Propulsive Music.

Monday, April 15, 2013

Hartt Alumni of the Year - 2013 Robert Brubaker



The following recently appeared on The Hartt School website.

Robert Brubaker

Bachelor of Music, Vocal Performance '77



The Hartt School is pleased to announce that celebrated tenor Robert Brubaker ’77 (Bachelor of Music) will be honored with the 2013 Hartt Alumni Award at the annual Commencement ceremony on Sunday, May 19.  Mr. Brubaker has established himself as a leading tenor in opera companies throughout the United States and Europe, praised for the clarity and power of his voice and the impact of his acting.  He has appeared at The Metropolitan Opera, the Salzburg Festival, Opéra National de Paris, Covent Garden, Teatro alla Scala, and other major opera houses around the world.  Mr. Brubaker, who will speak at Hartt’s graduation ceremony, also will share his experiences and insights with students and other interested members of the University of Hartford community at Hartt's Paranov hour on April 25, from 12:15 PM to 1:05 PM, in Millard Auditorium.

As Opera News summed it up when writing about his Golitsin in the new Andrei Serban production of Mussorgsky's Khovanshchina at the Bastille, unveiled in December, 2001, "Brubaker once again showed that, for sheer stamina in high-lying music, he has few rivals.”

Recent engagements include the Kaiser in Die Frau Ohne Schatten with Deutsche Oper Berlin; Laca in Jenufa at the English National Opera; Boris in Katya Kabanova at the Theater an der Wien; Mephistopheles in the premiere of Busoni's Doktor Faust at Teatre de la Maestranza in Seville; a return to the Glyndebourne Festival for the world premiere of the new opera, Love and Other Demons, composed by Peter Eötvös; Herodes in Salome in Bologna; Alviano in Die Gezeichneten at Los Angeles Opera; a reprise of Don Ygnacio in Of Love and Other Demons at Opera National du Rhin in Strasbourg; Loge in Das Rheingold at Teatro de la Maestranza in Seville; Mao Tse-Tung in Nixon in China at the Metropolitan Opera; the title role in Der König Kandaules for Vienna Volksoper; Captain in Wozzek at Santa Fe Opera; and the Witch in Hänsel und Gretel and Mime in the Ring Cycle at the Metropolitan Opera.
Upcoming engagements include Mime in Siegfried at Seville; Mime in Das Rheingold and Siegfried at Teatro Massimo Palermo; Malatestino in Francesca da Ramini and Mime in the Ring Cycle at the Metropolitan Opera; Luigi in Il Tabarro and Canio in I Pagliacci with Opera St. Louis; an appearance with Dallas Opera in 2014; and returns to the MET in upcoming seasons.

Other career highlights include Mime in Siegfried at the Metropolitan Opera conducted by James Levine and broadcast internationally; his appearances at the Salzburg Festival in the title role of Zemlinsky's Der König Kandaules, and as Alviano in Die Gezeichneten, both with Kent Nagano; as Count Pierre Bezukhov in War and Peace with the Opéra National de Paris, directed by Francesca Zambello; Mephistopheles in the Metropolitan Opera's premiere of Busoni's Doktor Faust; Golitsin in Khovanshchina at the Metropolitan Opera, Opéra National de Paris, Maggio Musicale Fiorentino and Gran Teatre del Liceu in Barcelona; Albert Gregor in The Makropulos Case at the Metropolitan Opera opposite Catherine Malfitano; the same role at Houston Grand Opera and English National Opera, where it was also recorded for Chandos Records with Sir Charles Mackerras; Bacchus in Ariadne auf Naxos at Covent Garden on opening night of Antonio Pappano's first season as music director; Guido Bardi in Zemlinsky's Eine Florentinische Tragödie with James Conlon conducting; Aegisth in Elektra, and Herodes in Salome at Teatro alla Scala; his Glyndebourne Festival debut singing his first Laca in a revival of Nicholas Lehnhoff's acclaimed production of Janáček's Jenufa, followed by the same role for his Dallas Opera debut; the title role in Peter Grimes with the Canadian Opera Company conducted by artistic director Richard Bradshaw, with the Teatro Municipal de Santiago, with the English National Opera and at Aldeburgh; and the title role in Zemlinsky's Der Zwerg at the Opéra National de Paris and Teatro dell'Opera di Roma.



Mr. Brubaker has also performed Dimitri in Boris Godunov at the Opéra National de Paris; Gherman in Pique Dame with Olga Guryakova as Lisa at Montpellier Opera; the same role at Teatro San Carlo in Napoli and the Hamburg Staatsoper; Siegmund in Die Walküre with Teatro Real in Madrid and also with Austin Lyric Opera; Jimmy Mahoney in The Rise and Fall of the City of Mahagonny at Deutsche Oper Berlin; Edward Fairfax Vere in Billy Budd at Teatro Carlo Felice in Genoa; Dick Johnson in Puccini's La fanciulla del West at Austin Lyric Opera and in concert with the Melbourne Symphony; Arbace in concert performances of Idomeneo with the Munich Philharmonic led by then-music director James Levine; Bacchus in Ariadne auf Naxos at the Teatro Real in Madrid; Erik in Der Fliegende Holländer at the Teatro Verdi in Trieste and at the Gran Teatre del Liceu in Barcelona; and Chairman Mao in Nixon in China, Don José in Carmen, Jim Mahoney in The Rise and Fall of the City of Mahagonny, Filke in From the House of the Dead, and Sergei in an acclaimed revival of the David Poutney production of Lady Macbeth of Mtsensk for English National Opera.



Mr. Brubaker appears on DVD, as Count Pierre Bezukhov in War and Peace with the Opéra National de Paris, directed by Francesca Zambello and directed by Gary Bertini available on TDK; and as Alviano Salvago in Franz Schreker's Die Gezeichneten from the Salzburg Festival, directed by Nikolaus Lehnhoff and conducted by Kent Nagano.

Mr. Brubaker can be heard on audio recordings as the title role in Der König Kandaules from the Salzburg Festival conducted by Kent Nagano, available on Andante Records; Gregor in The Makropulos Case conducted by Sir Charles Mackerras and Boris in Katya Kabanova conducted by Carlo Rizzi (slated for future release) on Chandos Records; and on Naxos American Classics' recording of Avodat Shabbat by Herman Berlinski, conducted by Gerard Schwartz.



Mr. Brubaker, a Mannheim, Pennsylvania native, received his degree from the (then) Hartt College of Music in Hartford, where he studied with David Ray Smith.  He and his wife now reside in New York City, where he studies with Bill Schuman.

To learn more about Mr. Brubaker, visit http://www.belcantoglobalarts.com/brubakerbio.php

Posted by Michael Menapace ('93)
Trustee