Showing posts with label moshe paranov. Show all posts
Showing posts with label moshe paranov. Show all posts

Sunday, December 3, 2017

Original School Brochure 1920-21

1920 - World War I had ended.  Jazz was just emerging.  Warren G. Harding was elected President of the United States.  Prohibition began.  Women attained the right to vote.  Mass media was born with a license given to the first commercial radio station.  America was about to start Roaring. 


And, The Hartt School was officially formed.  1920 is the founding date of our school and, thanks to the University of Hartford archives and Prof. Dee Hansen (leading the committee planning Hartt's centennial celebrations), below is the original brochure for the school.


Contained in these several pages is the philosophy on which our founders built their legacy.  The prose is elevated and contained within are a few surprises.


How many of us had heard of "Boris" Paranov?  Most of know Morris Perlmutter changed his named for professional reasons to Moshe Paranov, but I had never know that Uncle Moshe once went by Boris.  Ernest Bloch as a faculty member.


Citation - Julius Hartt Musical Foundation, Inc. records (ARCH161). University of Hartford Archives and Special Collections.







 

Sunday, October 29, 2017

The Hartt Hall of Fame - Inaugural Class Induction

In 2016, the Board of Trustees of The Hartt School created The Hartt Hall of Fame.  As created by the Board:


The Hartt Hall of Fame recognizes and honors the accomplishments and contributions of individuals associated with The Hartt School who have helped in significant ways to further the mission of the School and showcase the best of the School to external audiences.


The Inaugural Class consists of the following people:
Samuel Berkman
Edward Diemente
Alfred C. and Primrose Fuller
Raymond Hanson
Julius Hartt
Irene Kahn
Jackie McLean
Elemer Nagy
Elizabeth Warner Paranov
Moshe Paranov
Imanuel Willheim


The induction ceremony for the Class of 2017 will take place on November 30, 2017 at 12:15 p.m. in Millard Auditorium during Paranov Hour (previously known as Musicianship Class).  The ceremony will be streamed live on the internet.

Wednesday, August 30, 2017

March 1964 issue of International Musician, cover article re Moshe Paranov and Hartt

The March 1964 edition of International Musician, published by the American Federal of Musicians, featured an article about Moshe Paranov and the new Hartt building - the Fuller Building.  Moshe and a photo of the building appeared on the cover.  There are lots of interesting things in this article, including the fact that the original building cost a total of $2.6m to build.

Check out Uncle Moshe's quote about his decision to not strike out for Europe or other major metropolitan center early in his career as was the typical path.

"I hope that I have demonstrated that it is possible for a student of music to become a musician by the unorthodox method which I selected.  Less of glamour, yes; more of heartache, decidedly; but great satisfaction, definitely."

I also like the 1964 advertisements.

As we move toward the completion of the renovation of Millard Auditorium, it is amazing to think about the original dedication concert, with performances by Marian Anderson, Isaac Stern and Leonard Rose.  I would have liked to be in attendance!

Special thanks to Seth Bogdanove, Uncle Moshe's nephew who used to vacation with the Paranov family in Maine.  Seth saved this article and sent me the digital copy. 

(By the way - If anyone is in need of photo restoration and digital archiving skills, please reach out to Seth at Digital Archiving and Photo Restoration by Bogframe, 17 Bay 31st Street, Apt 2, Brooklyn, NY 11214, (718) 373-7575, www.bogframe.com).




Thursday, July 7, 2016

Director's Message from 1952 Still Resonates

To recognize the 100th blog post, here are two pages from the Hartt's 1952 Allegro Yearbook.


Moshe Paranov, circa 1952

I was not around in those years, but I gather that there was a yearbook published each school year.  This was the Director's Message from Moshe Paranov.  The message is equally valid today.



Sunday, May 17, 2015

Hartt 2015 Alumni Award and Commencement

The Hartt School 2015 Commencement was held today and 1995 alumnus Phillip Boykin was awarded the Alumni Award.



I was honored to address the graduating class and congratulate them on behalf of the Hartt Board of Trustees.  I told the students that I was particularly pleased to be sharing a stage, once again, with Phillip Boykin.  Moshe Paranov used to take Phillip and me out for performances in area elementary school cafeterias and gymnasiums.  Uncle Moshe was a passionate believer that all students deserved a proper music education rooted in the classics.  Hence, his oft-heard concern that "Kids today don't know the difference between Beethoven and a him sandwich!" 


I have since retired from my performing career but Phillip has gone on to great international acclaim and is currently featured in the Broadway revival of On The Town.  He is a worthy recipient of the 2015 Alumni Award.

Congratulations, Phillip!  Uncle Moshe would be pleased.






Saturday, March 28, 2015

5 Questions with Kim (Deluccio) Collins



Kim (DeLuccio) Collins (BM 1992) studied Flute at Hartt from 1988 to 1993.  She is currently living in Trumbull, CT.


What have you been up to since you graduated from Hartt?

So many things have happened in the last 20-plus years!  I got married to Steve Collins (BM Percussion, 1989).  On the teaching front, I taught at Hartt Community Division for about 7 years, maintained an active private teaching studio, and also did some teaching at Fairfield University, Choate Rosemary Hall, and Neighborhood Music School.  As far as performing is concerned, I never stopped after school.  I decided early on that I really enjoyed the freedom and variety of being a freelance artist, and I have been fortunate to play with so many great musicians along the way.  I have played solo recitals, chamber music, orchestral music, been featured soloist with orchestra here and there, lots of shows including some work on Broadway, and a few recordings…a really fun variety.

In 2007 we had the first addition to our family, and now have two little boys in Elementary School, so that keeps things in perspective and is a huge project in itself.

What are you involved with right now?

I am currently performing in a freelance capacity with the Vermont, Springfield, Hartford, New Haven, Bridgeport, and Albany Symphonies as well as in the pit for nationally touring shows that come through the state.  I am also Principal Flutist with the Waterbury Symphony.  I am teaching at home and at Southern Connecticut State University.  I’m always looking for new and interesting projects so I’m open to ideas for fun collaborations and concerts.  Sometimes I feel as if, although I really enjoy orchestral music, that I have some untapped spark for other genres that I want to explore.  I hope I can do more of that in the coming years.

I enjoy running and cooking, and being the best mom I can be to my two boys.  I’ve been known to hit local boot camps and flip some tires and push some prowlers around here and there and always enjoy a good physical challenge like an obstacle race.

What is one of your most memorable things about your time at Hartt?

I hate to repeat what others have said, but…there are so many!

Mr. Lepak with his cigar hanging out of the corner of his mouth, performing Concerto for Orchestra at the MENC conference with Arthur Winograd conducting, playing with the Emerson String Quartet, coachings with Moshe Paranov, our trips to NYC to play in Town Hall and Alice Tully hall, working in the Information Booth, Mr. Rauche stamping my papers with a dancing pig in a tutu, and especially my lessons and studio classes with John Wion.  I loved getting the chance to play the flute in so many different settings.  A huge thank you also for the life-changing moment in which Dr. Feierabend said that we shouldn’t use a Music Education degree as something to fall back on.  I recall being wracked with guilt at that statement, and feeling like a sham.  He inspired me to change my major to performance, and I know it was the right choice for me.

What did you learn during while at Hartt that you did not appreciate or recognize until after time passed and you had some time to reflect?

Sunday, August 17, 2014

Moshe Paranov on the Competence of Teachers



The following is an excerpt from an online publication called “The Rhythm of Successful Teaching,” by Hartt alumnus Larry D. Allen.

Mr. Allen was Principal of Boone Grove Middle School in Boone Grove, Indiana. He also taught and conducted at the college and university level at Trinity College (Hartford, Connecticut), The Hartt School, Central Connecticut State University, Valparaiso University, VanderCook College of Music, Duquesne University, and Villanova University.  Among his degrees, Mr. Allen earned a Masters of Music Degree in oboe performance with Bert Lucarelli at the Hartt.

In this section of his publication, called Competence and Incompetence, Mr. Allen relays some stories about Moshe Paranov and his philosophy of teaching music.

Competence and Incompetence

One of the mysteries about teaching in public schools is that almost all of our gurus and geniuses throughout history that daily receive universal respect and admiration would not legally qualify to be our child's teacher.
Moshe Paranov

Moshe Paranov was a musical guru who provided outstanding leadership at the Hartt School throughout most of the 20th century. He and his team of outstanding teachers developed an idea: to build an outstanding school of music in the greater Hartford, Connecticut area to international acclaim and respect. Moshe’s official title was Dr. Moshe Paranov, President of the Hartt School of Music of the University of Hartford. All the children knew him as “Uncle” Moshe. He was active into his 90’s as the Artist-in-Residence for the schools in Glastonbury, Simsbury, and Torrington, Connecticut. Imagine being in demand as a teacher at 90 years young.

The reality of Dr. Paranov’s talent began to unfold in his high school years, as he entered the principal’s office one morning requesting that the principal give him permission to attend school daily for the balance of his high school year beginning at 10:30 a.m. so that he would have time to practice the piano at home from 6:00 a.m. to 10:00 a.m. With little hesitation the principal presented Dr. Paranov with the bad news regarding the request even though there was strong parental support.

With that decision, Dr. Paranov moved on with his life, left school and proceeded to practice four hours per day from 6:00 a.m. to 10:00 a.m., and over the years became a legend without his high school diploma. He built one of the most respected music schools in the world, and he received an Honorary Doctorate from the Philadelphia Music Academy.

Over the years Dr. Paranov interviewed hundreds of candidates to teach in his highly respected school. His mantra was, “play first and then we will talk.” If the candidate played well, the hiring took place immediately. If the candidate could not play well, there was no talking just a painful silence that communicated the message.

Each year there was an opening meeting at the Hartt School of Music where all the faculty would return after a hearty summer of touring, recording, and many exciting musical performances. Dr. Paranov would command the open meeting with humor, enthusiasm, and commitment. The opening speech went like this each year:

I want to welcome you all back to another season of excellence. What I want from each of you teachers is to know “what have you done today to help each of your students and what have you done today to make yourself a more competent musician and a more competent teacher.”