Showing posts with label jazz. Show all posts
Showing posts with label jazz. Show all posts

Friday, March 30, 2018

Master of Music in Jazz Studies approved as a new degree program

Among the recent changes to Hartt's programs of study is a new degree in jazz studies.  The Univeristy of Hartford recently approved the Master of Music in Jazz Studies.


Here is the program curriculum.

First Year

Semester 1 (12 credits) 
  • HLM 615*: Pro-seminar in Music History (3 cr.)
  • AXX 999: Instrumental/Vocal Lesson (2 cr.)
  • ENS 502: Jazz Ensemble (1 cr.)
  • AFR 602: Duke Ellington (3 cr.)
  • AFR 623: 20th Century Jazz Analysis and History (3 cr.)
Semester 2 (10 credits)
  • AXX 999: Instrumental/Vocal Lesson (2 cr.)
  • ENS 503: Jazz Ensemble (1 cr.)
  • AFR 603: Analysis of American Songbook (3 cr.)
  • TH 645**: Graduate Ear Training (3 cr.)
  • REC 671: Master's Recital (1 cr.)

Second Year

Semester 3 (10 Credits)
  • AXX 999: Instrumental/Vocal Lesson (4 cr.)
  • ENS 502: Jazz Ensemble (1 cr.)
  • AFR 655: Graduate Jazz Arranging (2 cr.)
  • TH XXX: Graduate Theory elective (3 cr.)
Semester 4 (9 credits)
  • AXX 999: Instrumental/Vocal Lesson (4 cr.)
  • ENS 503: Jazz Ensemble (1 cr.)
  • AFR 657: Graduate Business Seminar (3 cr.)
  • REC 672: Master's Recital (1 cr.)

Wednesday, November 30, 2016

Partnerships with Arts Orgnizations Continues with Concert at Infinity Hall

One of the things Hartt has done in the past few years, and that it will continue to do, is establish partnerships and working relationships with area arts organizations.  Students contribute to the success of these organizations and, in turn, they receive valuable professional experience while still in school.  Some of the examples are partnerships with The Hartford Stage, Goodspeed Theater, and the Stamford Symphony. 
Another important relationship is the one Hartt has with Hartford's Infinity Hall & Bistro.  This Saturday, Dec. 3, will be a great day at the venue featuring current students from Hartt's jazz division and a performance by alumnus Javier Colon.  Please support these concerts.  If you haven't been to Infinity, you are in for a treat.
 

Sunday, July 26, 2015

Beautiful Life - Jimmy Greene

I had the pleasure of attending a performance last night by Jimmy Greene ('97).  He was performing with his quartet at The Side Door jazz club in Old Lyme, Connecticut.  The Side Door is an excellent venue attached to the Old Lyme Inn, both of which are owned by Ken and Jan Kitchings. The club is now one of the most important jazz venues in New England and worthy of our support.  (As an extra bonus, Jimmy Macbride, son of Hartt professor David Macbride, was performing in the quartet last night.)

The primary reason for attending The Side Door last night was, however, being able to hear Jimmy.  He has been performing music from his recent album, Beautiful Life.  If you have not yet purchased a copy of the album, do yourself and others a favor and do so.  The music itself makes the purchase well worth your investment.  There is, no doubt, that Jimmy is a wonderful composer, musician, and saxophonist.  As a [former] saxophonist myself, I was so very appreciative of and inspired by Jimmy's craft as a saxophonist.  He is among the very best tenor saxophonists I have ever heard.
 
There are additional reasons to purchase the album and treat yourself to attending Jimmy's performances.  Beautiful Life also features appearances by Kenny Barron, Cyrus Chestnut, Javier Colon, Christian McBride, Pat Metheny, musicians of the Hartford Symphony, and others.  Jimmy's composition are wonderful and the performances don't leave the listener wanting for anything but to listen again.
Most importantly, as many of you are aware, Ana Grace Greene, the daughter of Jimmy and his wife, Nelba Marquez-Greene ('97), was murdered on December 14, 2012 at Sandy Hook Elementary School.  Beautiful Life is a celebration of Ana's life.  For a message from Jimmy, please click here.

As Jimmy says "I want the music to reflect the way that Ana lived." Proceeds from Beautiful Life support the Ana Grace Project and The Artists Collective.

Here is Jimmy's upcoming performance schedule.

Wednesday, October 29, 2014

Fall 2014 Streaming Performances From Hartt

You can visit the Hartt website shortly before each performance to start the streaming performance.
 
Friday, October 31, 2014, 10:30 pm
Alfred C. Fuller Music Center F Millard Auditorium
 
Thursday, November 6, 2014, 7:30 pm
Alfred C. Fuller Music Center F Millard Auditorium
 
Saturday, November 8, 2014, 7:30 pm
Handel Performing Arts Center HPAC Roberts Theater
 
Thursday, November 20, 2014, 8 pm
Alfred C. Fuller Music Center F Berkman Recital Hall
 
Friday, November 21, 2014, 7:30 pm
Alfred C. Fuller Music Center F Millard Auditorium
 
Saturday, November 22, 2014, 7:30 pm
Lincoln Theater
 
Sunday, November 23, 2014, 3 pm
Alfred C. Fuller Music Center F Millard Auditorium
 
Thursday, December 4, 2014, 7:30 pm
Lincoln Theater
 
Friday, December 5, 2014, 7:30 pm
Lincoln Theater
 
Saturday, December 6, 2014, 7:30 pm
Alfred C. Fuller Music Center F Millard Auditorium
 
Wednesday, December 10, 2014, 7:30 pm
Lincoln Theater
 
Thursday, December 11, 2014, 8 pm
Alfred C. Fuller Music Center F Berkman Recital Hall
 
Friday, December 12, 2014, 7:30 pm
Lincoln Theater
 
Saturday, December 13, 2014, 7:30 pm
Lincoln Theater
 
Sunday, December 14, 2014, 5 pm
Alfred C. Fuller Music Center F Berkman Recital Hall

Monday, August 4, 2014

5 Questions with Jamie Dubberly



Jamie Dubberly (M. Mus. 1992), studied trombone performance at Hartt from 1990 to 1995.  He is currently living in Modesto, CA. 


What have you been up to since you graduated from Hartt?  

Wow, it’s been a while! I moved to NYC for a few years after Hartt (1997-2003), and performed with many musical theater tours in the U.S., Europe and Asia while keeping a NYC address.  I also formed a large jazz ensemble there, and was involved with some big bands, Latin bands, and orchestras while not on the tours. One highlight for me personally while living in NYC was scoring the music for a play called “Utopians,” by the group The Flying Machine, which was part of the International Fringe Festival in 1998. It was well received by the press, and was an incredible experience collaborating with those guys to write music that fit into the “world” of that work. The show was extended past the original run for more than a month!  In 2003 I moved to Northern California and began freelancing and teaching in the San Francisco Bay Area. I started to become involved with the large Latin music scene there as well as with jazz ensembles, orchestras, and other groups.  I formed my own Latin jazz ensemble in 2009, after becoming increasingly involved with Afro-Cuban music in the Bay Area, and released an album called “Road Warrior,” in 2011 with my band - Orquesta Dharma.

What are you involved with right now?

Right now I am a member of a few groups based in the Bay area. Pacific Mambo Orchestra is a large Afro-Cuban jazz and salsa/mambo group that I have been with since its inception a few years ago, and was fortunate enough to win a Grammy award this year, for their first recording “Pacific Mambo Orchestra!”  I also am a member of Avance, which is a San Francisco based salsa band, Realistic Orchestra, a very modern and progressive big band, and I play principal trombone in an opera orchestra in Modesto (where I currently live) called the Townsend Opera. I also play with various other Bay area jazz, Latin and classical groups, and sometimes perform in the pit orchestra for touring broadway shows in Sacramento.  (I ran into classmate Philip Boykin last summer in “Show Boat!”)   Currently, I am in the midst of releasing the 2nd album with Orquesta Dharma, called “La Clave del Gumbo,” which fuses New Orleans brass band music with Afro-Cuban jazz and salsa. I also am teaching trombone and low brass, various classroom courses, and ensembles at California State University- Stanislaus (Turlock), and University of the Pacific (Stockton). 

What is one of your most memorable things about your time at Hartt?

There are several memorable things for me about being at Hartt. The Hartt Honors Trombone Quartet, which competed nationally at the Fischoff (South Bend) and Coleman (Pasadena) chamber music competitions, was a really great and fun experience thanks to our amazing teacher, Ronald Borror.  Being involved with the Jazz program by playing

Sunday, February 23, 2014

5 Questions with Ben Bilello



Ben Bilello (BM ’99), studied Jazz Studies/African American Music (percussion) at Hartt from 1995 to 1999.  He is currently living in Durham, Connecticut.  


What have you been up to since you graduated from Hartt?


I have been a full time professional musician, private instructor,  jazz and percussion educator and clinician since I graduated in 1999. I have performed and/or recorded with Mulgrew Miller, Eddie Henderson,  Branford Marsalis, Anthony Braxton, Javon Jackson, Charles Flores, Curtis Fuller, Larry Willis, George Cables, Steve Davis and Charmaine Clamor, as well as many others.

I was a faculty member of the Greater Hartford Academy of the Arts from 2005 to 2013. While there, I taught percussion, jazz drumming, rudimental drumming and music theory.

I met my wife, Lauren, in 2001. We were married in 2007. We have a son, Michael, who just turned one year old in January.

I have a small side business in the fly fishing industry. I stopped fishing after leaving for college, but got back into it in my late twenties. My favorite quarry is the Atlantic salmon. I traveled to Russia’s Kola Peninsula, 250 miles north of the Arctic Circle, in June 2012. I fished the Kola and Kitza Rivers, renowned for having some of the world’s largest and toughest Atlantic salmon. 

What are you involved with right now?


At the moment, my most important job is raising my son. I had to cut back on teaching and I can’t take every gig that is offered, but I wouldn’t have it any other way.

I perform as much as possible, most notably in trio collaboration with pianist Laurence Hobgood and bassist Henry Lugo.

For the past few months, I have been working with Javon Jackson, the new chair of the Hartt’s Jackie McLean Jazz Institute. Under Professor Jackson’s leadership, and along with fellow Hartt alumni Stephen Porter and Andrew Renfroe, we have given clinics at local schools and lecture/performances as part of the University of Harford’s President’s College.

I will be appearing on two albums to be released in the very near future. One is with vocalist Atla DeChamplain and pianist Matt DeChamplain, both Hartt alumni. The other, with vocalist June Bisantz, is a tribute to trumpeter and vocalist Chet Baker.

I teach one day a week at UConn’s Community School of the Arts. Within the past year, I have built a home teaching and rehearsal studio. I offer lessons throughout the week as my schedule allows. 

What is one of your most memorable things about your time at Hartt?


Having the opportunity to study with Professor Jackie McLean was a terrific experience. He was truly a pioneer in the field of jazz education. Studying (and frequently playing) with a musician of Professor McLean’s pedigree and magnitude is not something most college jazz students have the chance to do. I feel extremely fortunate to have been at Hartt while Professor McLean was teaching there.  

What did you learn during your time at Hartt that you did not appreciate or recognize until after time passed and you had some time to reflect?


When I look back, I am amazed at how much free time I had compared to now. It certainly didn’t feel that way when I was a student. I practiced a fair amount while I was at Hartt, usually around four to six hours a day. Despite being fairly diligent, I could have made better use of  the free time I had (instead of hanging around the Hartt hallways or shooting pool at Gengras or the Hawk’s Nest).

Having a place to practice regularly was a luxury I took for granted. Until I became a homeowner, finding a place to practice was tricky at times. Now that I have a dedicated practice space (and a family), finding the time is the main issue. 

What is next for you?


In terms of professional endeavors, I have no idea. I have always taken opportunities as they arise. Often times they are unexpected. I have made my living as an accompanist, which I love, but I’d like to start to devote more time to projects under my own leadership. 

Thanks, Ben. If you want people to get in touch, how can they do so?


You can visit my website at www.benbilello.com or email me at ben@benbilello.com


Friday, December 20, 2013

Upcoming Alumni Gathering

Do you live near Dallas? 
Are you attending the Jazz Education Network's Conference in January?


If the answer is "yes" to either of those questions, you are invited to Dinner and Conversation with faculty members Nat Reeves and Shawnn Monteiro-Huelbig on Thursday, January 9, 6-7:30 p.m. at Pyramid Restaurant.

If you would like to attend, or for further information, contact Philip Grover at 860.768.4468 or pgrover@hartford.edu.

________________________________

So many alumni report fond memories of their years at the
University of Hartford. Some things have changed since you
studied here, we're sure. What haven't changed are our
values and the integrity of relationships formed here. We
hope to continue aligning our history with our future in a
way that generates excitement amongst our alumni.

**************************
More information about the upcoming gathering in NYC on January 13, 2014 coming soon.

Friday, October 18, 2013

Hartt's Honorary Degrees Given in the 1980s

Prior to the 1980s, the honorary degrees Hartt awarded focused on professionals in the classical music arena and the benefactors without whose help Hartt would not have been possible.

The 1980s, however, had a different focus.  Jackie McLean started the Department of African American Music in 1980.  Some prominent jazz artists were awarded degrees and even some of the "classical" musicians were clearly within the sphere of the jazz world.  For example, David Amram is difficult to categorize as a classical composer, especially since he has well-known as a jazz french horn player, who appeared regularly with Dizzy Gillespie.  Even Yehudi Menuhin recorded some jazz collaborations.

Nevertheless, here is the next installment of the Hartt Honorary Degree Recipients.

1982 - John Birks "Dizzy" Gillespie



Tuesday, June 25, 2013

CT ARTISTS INITIATIVE PAYS TRIBUTE TO HARTT'S NAT REEVES


This past weekend, the Connecticut Artists Initiative paid tribute to world-renowned bassist Nat Reeves, faculty member of Hartt’s Jackie McLean Institute of Jazz, as part of Elizabeth Park’s Rose Weekend.  The celebration included a variety of activities and performances throughout the weekend.

The events included a performance by Prof. Reeves and his ensemble.  Along with Nat, featured artists from the Jackie McLean Institute included Josh Bruneau, trumpet; Andrew Renfroe, guitar; Taber Gable, piano; Jovan Alexandre, tenor saxophone; acclaimed Hartt faculty member Steve Davis, trombone; and Mike Dick, percussion. 

Prof. Reeves, along with Eric Alexander, tenor saxophone; Harold Mabern, piano; and Joe Farnsworth, drums, will tour extensively throughout Japan this July and August, performing more than a dozen concerts.

Thursday, April 11, 2013

Hartt Concert Jazz Ensemble Performance




Last night, the Hartt Concert Jazz Ensemble, directed by Professor Chris Casey, presented a great program.  The concert featured the music of Jackie McLean, Duke Ellington, Count Basie and others.  As a special treat, Hartt faulty members Shawnn Monteiro and Rene McLean were featured as soloists with the band.  In particular, Prof. Monteiro’s performance of “Here’s That Rainy Day,” was quite moving.  Millard auditorium was nearly full and the band sounded great under Prof. Casey’s leadership.  All the student soloists did a great job, and I want to point out that three of Prof. Nat Reeves’ bass students combined their talents in a pieced titled “Tricotism” that featured them trading solos that were quite impressive.  As an added bonus, the Hartt Community Division presented a musical “appetizer” of sorts before the band concert.  Ed Fast, Community Division percussion faculty member, lead a performance of the Community Division Latin Jazz Percussion Ensemble.  This group of middle and high school students performed with great enthusiasm and musicianship.  Another super night a Hartt!

Posted by Michael Menapace ('93)
Trustee

Tuesday, March 5, 2013

Vincent Herring masterclass



On Wednesday, February 13, 2013, Vincent Herring conducted a master class with the Hartt jazz studies students.  Several faculty members and Dean Flagg attended the master class along with several dozen students.  Mr. Herring is an internationally renowned saxophonist and has, for several decades, performed along side of legendary masters, including Nat Adderly, Freddie Hubbard, Dizzy Gillespie, Art Taylor, and many others.  He has taken bands to Japan and Europe and has performed at almost all major jazz festivals around the globe.  Having a guest of Mr. Herring’s reputation, experience and musicianship was great opportunity for Hartt.

The students were fortunate to play for Mr. Herring and received feedback.  Moreover, they benefited from him as he demonstrated concrete ways they might consider expanding their own music vocabulary.  In addition, Mr. Herring provided real world advice on what is demanded of musicians who expect to have a career in today’s world.  He was honest, straight-forward, blunt, sincere and helpful in his critiques of the students and freely shared his wisdom.  Among the observations he shared with the students was how a thorough mastery of knowing standards (in every key!) and the rudiments of the jazz idiom, even things as basic as knowing your bebop scales (which he felt today’s students sometimes skip over in their haste to get to more cutting edge styles), continue to be the foundation on which the students must base their development.  Among the other points stressed were: focus on being the best musician you can without getting too caught up on what brand and model instrument you play or other gear you use; listen to everything possible, including those musicians and styles that other tell you are no good; and don’t box yourself into one style, but instead learn many different style of jazz so that you can easily play with and compliment a variety of musicians.  He made special note of one reason Prof. Nat Reeves’ is a bassist in such demand – his ability to play with so many different musicians in a variety of styles and with a mastery of repertoire that is unsurpassed.

Professor Abraham Burton was among those attending.  He provided a memorable story at the point of the master class when Mr. Herring was discussing developing your own sound.  Prof. Burton recalled when he was growing up in NYC, he could tell from blocks away that the saxophonist he was hearing was Mr. Herring because of his distinct sound.  (Mr. Herring added that he used to play and practice outdoors in those days because he had such a small apartment in NYC that he needed more room to practice than he had in the “modest” studio apartment.)

It was clear from the care Mr. Herring expressed when working with the students that he is not only a tremendous musician, but is committed to jazz education.   
Mr. Herring has a website, which is www.vincentherring.com     Hartt was fortunate that he spent some time with us.

Posted by Michael Menapace (’93)
Trustee